Danish Women in Contemporary Ceramics

Gunhild Aaberg, Barbro Åberg, Beate Andersen, Charlotte Thorup, Anne Floche, and Bente Skjottgaard

December 12, 2020 – January 5, 2021

Beate Andersen

Bowl: Inspiration from the old Persian, 2020

6.50h x 9w in

BAN002

SOLD

Beate Andersen

Hexagonal: Inspiration from Old Persian, 2020

5h x 5w x 6d in

BAN003

Beate Andersen

Hexagonal: Inspiration from the old Persian, 2019

4h x 4w x 4d in

BAN005

SOLD

Beate Andersen

Hexagonal: Inspiration from the old Persian, 2019

4h x 4w x 4d in

BAN006

SOLD

Beate Andersen

Pot: Inspiration from the old Persepolis, 2020

8h x 6w in

BAN004

Charlotte Thorup

Architectural artwork, wall object, 2020

Stoneware, porcelain

8.27h x 11.81w x 21.26d in

CT001

Charlotte Thorup

Architectural artwork, 2020

Stoneware, porcelain

18.11h x 11.22w in

CT002

Charlotte Thorup

Architectural artwork, 2020

Stoneware, porcelain

12.2h x 11.42w x 14.57d in

CT003

Charlotte Thorup

Architectural artwork, 2020

Stoneware, porcelain

5.91h x 3.94w x 6.69d in

CT004

Charlotte Thorup

Architectural artwork, 2020

Stoneware, porcelain

7.09h x 4.72w x 7.48d in

CT005

Charlotte Thorup

Architectural artwork, 2020

Stoneware, porcelain

5.31h x 6.1w x 11.02d in

CT006

Charlotte Thorup

Architectural artwork, 2020

Stoneware, porcelain

7.09h x 4.33w x 4.13d in

CT007

SOLD

Charlotte Thorup

Architectural artwork, 2020

Stoneware, porcelain

4.33h x 4.72w x 12.2d in

CT008

Charlotte Thorup

Architectural artwork, 2020

Stoneware, porcelain

5.31h x 4.33w x 12.2d in

CT009

$ 1,200.00

Inquire

Charlotte Thorup

Architectural artwork, 2020

Stoneware, porcelain

6.10h x 6.5w in

CT010

$ 1,200.00

Inquire

Charlotte Thorup

Architectural artwork, 2020

Stoneware, porcelain

10.63h x 5.71w in

CT011

$ 1,200.00

Inquire

Bente Skjottgaard

Metamorphosis: #1786, 2017

Stoneware with glaze

11.81h x 5.51w in

BS003

$ 3,000.00

Inquire

Bente Skjottgaard

Metamorphosis: Purple #1649, 2016

Stoneware with glaze

8.27h x 4.33w in

BS001

$ 1,300.00

Inquire

Bente Skjottgaard

Metamorphosis: Yellow #1654, 2016

Stoneware with glaze

7.87h x 3.94w in

BS002

$ 1,300.00

Inquire

Bente Skjottgaard

Metamorphosis: Green #1779, 2017

Stoneware with glaze

10.24h x 4.72w in

BS004

$ 2,200.00

Inquire

Bente Skjottgaard

Metamorphosis: Purple #1703, 2017

Stoneware with glaze

11.42h x 5.91w in

BS005

$ 3,000.00

Inquire

Anne Floche

Pale green/ square

3.74h x 4.13w in

AF003

$ 950.00

Inquire

Anne Floche

Pale green/ dotted

13h x 8w in

AF004

$ 950.00

Inquire

Anne Floche

Small black/ blue ovals

12h x 12.50w in

AF005

$ 950.00

Inquire

Anne Floche

White/ checkered

8.50h x 11.50w in

AF006

SOLD

Anne Floche

Blue/red, squares

15.50h x 14.50w in

AF007

$ 1,450.00

Inquire

Anne Floche

Pale blue/ squares

16h x 14.50w in

AF008

$ 1,450.00

Inquire

Anne Floche

Curved/ dots

Framed: 4.53h x 4.92w in

AF002

$ 950.00

Inquire

Anne Floche

Ribbed/ 3 circles

18h x 14.50w in

AF009

SOLD

Anne Floche

White frame/ circle

17h x 18w in

AF010

$ 1,800.00

Inquire

Anne Floche

Red frame/ circle

22h x 22w in

AF011

$ 2,500.00

Inquire

Anne Floche

Black frame/ lines

22h x 23w in

AF012

$ 2,500.00

Inquire

Mette Maya Gergersen

Porcelain Crush

14h x 16w x 12d in

MMG001

$ 4,250.00

Inquire

Mette Maya Gergersen

Floating Dreams

10h x 20w x 12d in

MMG002

$ 3,500.00

Inquire

Mette Maya Gergersen

Blue Wave

19.50h x 22w x 13d in

MMG003

$ 4,250.00

Inquire

Mette Maya Gergersen

Transpired Time

6h x 18w x 16d in

MMG004

$ 3,200.00

Inquire

Mette Maya Gergersen

Holding Space - Holding Time

8h x 15w x 14d in

MMG005

$ 3,500.00

Inquire

Mette Maya Gergersen

Geometry of Echoes

7h x 13w x 11d in

MMG006

$ 3,200.00

Inquire

Gunhild Aaberg

Being

Stoneware with slip

11h x 9w x 6d in

GA002

$5520

Inquire

Gunhild Aaberg

Eruption

Stoneware with slip

8h x 9w x 4d in

GA003

$2800
SOLD

 

Gunhild Aaberg

No Title

Stoneware and slip

12h x 7w x 5d in

GA004

NFS

Barbro Åberg

Double Dark Porcupine, 2020

Clay w/ volcanic grit, 1140° C

14h x 14w x 3d in

BA030

$ 7,000.00

Inquire

Barbro Åberg

Black Bodhi Tree, 2020

Clay w/ volcanic grit, 1120° C

16h x 14w x 3d in

BA029

$ 6,800.00

Inquire

Barbro Åberg

Porcupine, 2019

Clay w/ volcanic grit, 1120° C

16h x 14w x 3d in

BA028

$ 6,500.00

Inquire

Barbro Åberg

Ferris Wheel, 2020

Clay w/ volcanic grit, 1120° C

9.75h x 8.50w x 2.75d in

BA035

$ 2,700.00

Inquire

Barbro Åberg

Large Cellular Sphere, 2020

Clay w/ volcanic grit, 1140° C

11.75h x 11.75w x 11.75d in

BA032

$ 6,800.00

Inquire

Press Release

Lucy Lacoste Gallery is pleased to close the 2020 season with an all-female exhibition: Danish Women in Contemporary Ceramics, December 12th – January 5th, highlighting the leading role women have played in the development of ceramics there. This exhibition features the work of Beate Andersen, Anne Floche, Mette Maya Gregersen, Bente Skjøettgaard, Charlotte Thorup, Barbro Åberg, and Gunhild Aaberg, artists in varying stages of their careers, all have received internally recognition through exhibition.

Why have women taken such a leading role in Danish Ceramics, in contrast to other societies? Denmark, a country with an abundance of clay, has a long history of ceramics going back to the Vikings. Ceramic creativity has been fostered by the manufactories such as Royal Copenhagen which hired female artists as designers and gave them studio space to freely create their own work. The country’s affinity for the Arts and Crafts movement of the early 20th century was conducive to female artists setting up independent studios. In addition, there were important teachers such as Thorvald Bindesboll and Richard Kjaergaard who encouraged individual expression in ceramics. Expressive art pottery began to develop at the end of the 19th century. Today, the most recognized ceramic artists in Denmark are women.

The two leading Danish ceramicists of the 20th century were Gertrude Vasegaard and Gutte Eriksen. Vasegaard’s abstraction of the cylinder and minimal decoration became a touchstone for a whole stream of Danish ceramics. Gutte Eriiksen’s approach was free, organic, and often inspired by Japan. She taught so many women throughout her career, they became known as “Gutte’s Girls.” These two renowned artists have been followed by legendary female artists such as Bodil Manz, the most internationally recognized ceramic artist from Denmark, known for paper thin cylinders with handmade decal decoration; Alev Ebuzziya Siesbye, celebrated for vessels of pure color with an unglazed line; and Nina Hole, the creator of burning fire sculptures, founder of the Clay Today collective, the CLAY Museum of Ceramic Art and the International Ceramics Research Center at Guldagergaard.

 

Lucy Lacoste Gallery has a long history with Danish ceramics beginning with our 2007 exhibition of the collection of William Hull, the American curator and museum director credited with introducing Danish ceramics to the USA in his seminal museum exhibition Danish Ceramic Design (1982).  DCD was followed by From the Kilns of Denmark (2002) curated by Hope Barkan and Wendy Tarlow. This important traveling exhibition showed the strength of Danish ceramics and was dominated by women ceramic artists, including Beate Andersen, Bente Skjottgaard, Barbro Aberg, and Gunhild Aaberg. This was followed by Lacoste Gallery’s A View from Denmark (2008), featuring a number of these artists. Barbro Aberg and Anne Floche are artists currently represented by the Gallery.

According to Garth Johnson, “The fact that Denmark boasts a flourishing ceramic ecosystem is because of women. Not only do artists like Bodil Manz continue to push boundaries well into their 80s, but they do so within a network of galleries, residencies, studios, and collectives founded by women. As artists like Barbro Åberg, considered an emerging artist when the exhibition From the Kilns of Denmark stormed these shores back in 2002, become leading figures, a new generation is emerging. Many young artists are turning to pottery and functional design, which fits hand-in-glove with the Nordic Cuisine movement. Others gleefully mix media (and influences) in a quest to wring every ounce of expression from their clay. 

As young Danish ceramists take these two very different paths, only one thing is certain. Women will lead the way.”

Garth Johnson (Paul Phillips and Sharon Sullivan Curator of Ceramics, Everson Museum of Art)

 

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