El Dorado, Mountain, 2018
18h x 17w x 10 1/2d in
Face Jug #4, White with Luster, 2018
8 1/2h x 7 1/2w x 7d in
Rana (El Dorado), 2018
14h x 6w x 6d in
Zipa From El Dorado (boat), 2018
7h x 12w x 7d in
I was born in Miami, Florida but shortly after my birth I immigrated to my mother’s country of Colombia, Medellin. I would return to the states at the age of four and assimilate quickly learning English and forgetting Spanish within a month. Throughout my life, I have always questioned my identity and have felt a sense of loss.
With creating work, I could fill that loss and I have been able to reconnect with my heritage. My work serves as a bridge to research my history and culture while aiming to preserve. I look to the history of Latin American and the Amerindian people; I work with how these identities are lost through conquest, migration, and time, gained through family, culture, exploration, and passed down through tradition and genetic memory. I use these influences to contribute to a contemporary dialogue while simultaneously continuing the work of my ancestors. There has been so much loss and stigma of these communities that it is important to me that my work celebrates and honors them.
The body plays an essential role in my work as it has a memory to it and memory extends itself to my ideas of the body. In my process of referencing the body, I have forgone the use of an actual and specific body. Because of this, I can use the memory of my own body, the body of my family, and ancestors to extend my memories to places beyond the body. In creating more of an essence of the body and not a likeness I am able to visit such personal and painful narratives that I find hard to confront.